Joan Tanner, FLAW
Compelled by a “curiosity to engage contradiction” and an impulse to disrupt “assumptions about spatial relations,” Joan Tanner’s art has developed to encompass many media, including painting, photography, video, sculpture, and installation. In her assemblages and installations, Tanner plays with the makeshift and precarious in such a manner that form unfolds as a reflection on temporality—of development and decay—in ways that seem purposefully unresolved. Preoccupied with ideas of history, impermanence, and inconsistency in her exploration of materials and form, she has created, over five decades, a body of provocative and engaging work that challenges the viewer’s imagination and refuses simple categorization.
FLAW continues Tanner’s professed interest in disjunction and disruption. In this site-specific installation, net-like structures hang from the ceiling, corrugated fiberglass panels disguise corners and wrap around columns, while freestanding elements of cut and painted wood populate the floor. It is an ungainly and unruly assemblage of objects and forms that both embraces and challenges the structure of the gallery. While Tanner’s installation is inspired by Zaha Hadid’s building, it rebels against the formal logic that lies behind the architect’s vision, employing a discordant vocabulary of objects and forms that unfold in an eccentric rhythm around and along the gallery. Adopting an aesthetic of unfinishedness that serves as a foil to the geometric weight of the enclosing architecture, Tanner’s installation draws attention to ideas about order and durability, resistance to orthodoxy, and the inevitability of change.
Julien Robson, Guest Curator