In an overall review for the FotoFocus Biennial in Cincinnati, Glen Helfand calls out On The Line for its "performative precociousness," and describes Images on which to build 1970s-1990s as a "compelling look at historical activism by queer and trans image-makers."
Original Article: https://aperture.org/editorial/a-compelling-biennial-in-cincinnati-pictures-the-earth-in-crisis/